Label: Astralwerks - CDASW 11086 • Series: Nude Dimensions - 2 • Format: CD Compilation, Mixed • Country: Europe • Genre: Electronic • Style: Deep House
When the camera does finally move, it pans nearly degrees to the right before coming to rest on a young white woman. I thought little of the shot the first time I saw the Рассказ О Луи Бруче - Laric Surapow* - Не Дада, but watching Chocolat again last night, I was struck by the economy of that single, simple camera movement.
The young woman, we eventually learn, is traveling through Cameroon, visiting the lands where she was raised as the daughter of a French colonial district officer.
Ten minutes into Chocolatwe leave the present Petite Machine - Kashmir - Zitilites enter her reverie of the past, and all but the final few minutes of the film are a recreation of her childhood landscape. Like an Edith Wharton novel, Chocolat appropriates the conventions of a romance plot to comment on restrictive social structures, specifically the complexities of a colonial system that simultaneously dehumanizes and hypersexualizes the colonized, while also degrading the colonizer.
She could not have witnessed this event, and so we are left to answer any number of questions: Who is telling this story? From what evidence is she reconstructing her narrative? How does something so subjective as memory not to mention love, faith, and power distort our understanding of history, both personal and political. The horizon metaphor begins to find its shape, I think, in juxtaposition with another scene: the Netty, Netty - John Buddy Williams, Syl Dopson - Kaiso when the mother reprimands her cook, who speaks in badly broken English.
This is how Gordimer describes the terrifying moment when her heroine, Maureen Smales, recognizes that she is caught in such a trap with her servant, July:.
How was she to have known, until she came here, that the special consideration she had shown Chocolat (Mr. Gones Club Sandwich) - Various - Nude Dimensions Volume Two his dignity as a man, while he was by definition a servant, would become his humiliation itself, the one thing that was to say between them that had any meaning. Fifteen Years your boy you satisfy. The film ends, once again, in the present day. France has hitched a ride from the black man whom she first spotted swimming in the ocean, and whom she soon discovers is actually an Chocolat (Mr.
Gones Club Sandwich) - Various - Nude Dimensions Volume Two immigrant. Had she imagined herself witnessing some timeless ritual of real black African life? Did this fantasy put her in closer communion with her mother?
With an imagined version of her mother? Her desire to understand, to write narratives that discover the human in inhumane circumstances, is noble, is essential, even if fraught with ambiguities and unavoidable landmines. The final image in Chocolat is another long static shot, Chocolat (Mr.
Gones Club Sandwich) - Various - Nude Dimensions Volume Two frame divided in half once again by the horizon. Three black men smoke and laugh as an unexpected burst of rain passes through. France is gone, but somehow we have retained her its perspective. Denis leaves the camera running for several minutes, inviting us to understand these men, or, at least, fostering in us the desire to do so. Protee is the A Few More Sessions - Patent Pending - Straight From The Heart who shows the most passion with his move to stand her up one of two times he shows passion outwardly — is he representing France growing up — showing that Aimee's 3 ft camera view perspective is off?
Or maybe that Aimee's bold move represents someone of the age and perspective of a child like young France — he stands her to maturity and correction — hmmm very powerful and shocking response — one that brings the viewer to a conscious stance as well.
Who is more truly African now? France who is so completely off the mark with her physical appearance; yet so in touch by her soul to this land and people. Or is the African American who blends in better with his skin color etc…, but is still so very openly aware that he is from a land — far, far away and understands the vast differences between himself and Africa — he knows what he still holds onto internally? It seems almost that the two of them could make a whole African rooted and accepted person.
France with her Protee shaded lenses, pure experiences, and history with the land… and the African American with his looks,his son, his history, his passion, his wife, his insider experiences and his roots. The marriage of these two's perspectives is beautiful in this film — the film wants to blur the lines in everyway possible and never in the expected and common ways — no steamy interracial love making scenes here.
It had super simple yet detailed metaphors — Nothing is as it seems and everything too complicated is much more plain and open than you think. I kept trying to read into the story — what does this symbolize.
Okay — black ants on white spread… hmmm — well whatever it means… France eats it up… she consumes it with her little mouth. This one could be tricky.
The closeness of Protee and France is amazing — they are quite the pair…. I was so angry with this movie never going anywhere openly. Ughhh, but guess what? I haven't stopped thinking about it. Not knowing where Protee went really bugged me All Yours - Lars Gullin - 1951/55 Vol 5 First Walk well as with the rest of the characters.
Where are they now — what do they do? Who is married — who is dead. The closing of this film was certainly not wrapped up in a pretty package and big bow.
Long Pauses. This is how Gordimer describes the terrifying moment when her heroine, Maureen Smales, recognizes that she is caught in such a trap with her servant, July: How was she to have known, until she came here, that the special consideration she had shown for his dignity as a man, while he was by definition a servant, would become his humiliation itself, the one thing that was to say between them that had any meaning. About Darren Hughes. Date Mar 16, Categories Film Film Responses.
Stephanie Jul 22, The closeness of Protee and France is amazing — they are quite the pair… I was so angry with this movie never going anywhere openly. This film revealed the state of contradiction and its permanency.
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