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Symphonie No. 40 G-Moll KV 550 - Mozart* • Karl Böhm / Berliner Philharmoniker - Symphonien Nos. 35


1995
Label: Deutsche Grammophon - 447 416-2 • Series: The Originals • Format: 2x, CD Compilation, Reissue, Remastered • Country: Germany • Genre: Classical • Style: Classical
Download Symphonie No. 40 G-Moll KV 550 - Mozart* • Karl Böhm / Berliner Philharmoniker - Symphonien Nos. 35

Mozart composed his final three symphonies during the summer of His entries in the thematic catalog he maintained suggest that all were written during the space of about two months. Much critical discussion has been devoted to the reasons for their composition, for it appeared that Mozart had no specific occasion in mind for their performance.

The romantic notion that he composed them without practical purpose is now widely disregarded as being out of character with Mozart 's known compositional procedures, and the scholar H.

Robbins Landon has recently advanced convincing arguments to suggest that they were in fact written for a series of concerts he gave in the fall or Advent season of Robbins Landon 's argument is largely based on an undated letter written by Mozart to his principal benefactor, his fellow Freemason Michael Puchberg.

In this letter he refers to his concerts which will begin "next week," concerts which scholars formerly believed never to have taken place. Evidence also supports the idea advanced by Neal Zaslaw that Mozart took the three symphonies on the tour he made to Germany the following year, which would further undermine the long-held notion that the composer never heard three of the greatest works in the symphonic literature performed.

One aspect of the symphonies upon which commentators reach universal agreement is their extraordinary diversity of character; each has unique qualities which together utterly explode the myth that the extreme agitation and pathos of the G minor Symphonie No. 40 G-Moll KV 550 - Mozart* • Karl Böhm / Berliner Philharmoniker - Symphonien Nos.

35 reflected the abject circumstances in which Mozart found himself at this period. The begging letters addressed to Puchberg during these months are indeed pitiful documents that might be cited as evidence of Mozart 's state of mind at the time he was composing the G minor symphony. But they will hardly do for the mellow warmth, strength and humor of E flat symphony or the elevated grandeur of the "Jupiter" Symphony.

Neither should it be forgotten that the tragic qualities so often associated with the symphony today have not always been apparent to all. To Robert Schumann the symphony was a work of "Grecian lightness and grace," while for a later writer, Alfred Einstein, there are passages that "plunge to the abyss of the soul.

Such ambiguity is perhaps apt for one of the greatest works of a composer whose music so frequently defies adequate description. The symphony is Summer Wind (With Sea Remix) - Heric - Fragment:Key in the usual four movements; the opening Molto allegro immediately announces something unusual by starting not with characteristic loud "call to attention," but with quietly spoken agitation.

The uneasy passion of the main theme leads to conclusions that seem to protest rather than find any consolation. The movement's dominant feeling is urgency: upbeat after upbeat after upbeat occurs. Amid great instability and a questioning aura, we experience a peek into Don Giovanni's abyss. In the finale, the horns intrude with wild swatches of color.

There is even an eerie twelve-note insertion after the double bar in the Allegro assai section. There are two versions of the G minor symphony.

The first is modestly scored for flute and pairs of oboes, horns, and strings, but at some point shortly after composition Mozart added parts for two clarinets, slightly altering the oboe parts to accommodate them. Such second thoughts surely also add credibility to the idea that Mozart led performances of the work -- he would hardly have bothered with such refinements if the symphony was not being used for practical purposes. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

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35. The Leonard Bernstein Collection, Vol. Mozart: The Symphonies. The Mozart Recordings. Carlo Maria Giulini. Mozart: Sinfonien 39, 40, Mozart: Symphonies. Strauss: Also sprach Zarathustra. Mozart: The Last Symphonies.

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Updated: 09.12.2019 — 01:31

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  1. W. Meves: Symphonies de W. A. Mozart. Collection Litolff No. Henry Litolff´s Verlag, Braunschweig ohne Jahresangabe (Ausgabe von ca. , u. a. mit einer Fassung der Sinfonie KV für Klavier zu 2 Händen) Video auf YouTube: Die Berliner Philharmoniker unter Trevor Pinnock spielen den ersten Satz der Mozart'schen Sinfonie No.
  2. Wolfgang Amadeus Mozart - Berliner Philharmoniker / Karl Böhm - Wolfgang Amadeus Mozart - Berliner Philharmoniker / Karl Böhm - Symphonie Nr. 40 G-Moll KV / Symphonie Nr. 26 Es-Dur KV / Symphonie Nr. 27 G-Dur KV - Deutsche Grammophon - 29 - mightworkerfedicoifyn.infoinfo Music.
  3. Feb 09,  · Karl Bohm is my favorite Mozart conductor, and the Berliner Philharmoniker, always at their best, here play Mozart for Bohm with the same fervor and devotion as when playing Beethoven for Karajan. Listening to these wonderful performances is enhanced by the fact that these last of Mozart's Symphonies are played together in sequential order /5(58).
  4. Mozart* • Karl Böhm / Berliner Philharmoniker Mozart* • Karl Böhm / Berliner Philharmoniker - Symphonien Nos. 35 - 41 ‎ (2xCD, Comp, RE, RM) Deutsche Grammophon.
  5. Mozart* • Karl Böhm, Berliner Philharmoniker Mozart* • Karl Böhm, Berliner Philharmoniker - Symphonien Nos. 35 - 41 ‎ (23xFile, FLAC, Comp, RE, RM, ) Deutsche Grammophon/5(5).
  6. Dec 24,  · Symphonien Nos. , a classical music Compilation by Berliner Philharmoniker / Karl Böhm. Released 20 February on Deutsche Grammophon (catalog no. ; CD). Genres: Symphony, Classical Period. Featured peformers: Berliner /5(4).
  7. Find composition details, parts / movement information and albums that contain performances of Symphony No. 40 in G minor, K. on AllMusic.
  8. Symphony no. 41 for Orchestra in C major, K. "Jupiter": II. Andante cantabile (for flute, violin, cello and piano, Clementi) (track 10).

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