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Pacific 202 - Various - Zance (A Decade Of Dance From ZTT)


1994
Label: ZTT - 4509-96056-1 • Format: Vinyl LP, Compilation • Country: UK • Genre: Electronic • Style: Techno, Downtempo
Download Pacific 202 - Various - Zance (A Decade Of Dance From ZTT)

Tabanka Dance Ensemble provides audiences with an exclusive experience of expertly produced high-quality, contemporary dance work, which makes full use of the rhythm, vitality, culture and audience engagement practices of James Brown - Reality and the Diaspora.

Spearheaded by Pacific 202 - Various - Zance (A Decade Of Dance From ZTT) professional dance ensemble, Tabanka amplifies the voice of the unheard masses. The ensemble provides platforms that pioneers, promotes and centers an artistic legacy Pacific 202 - Various - Zance (A Decade Of Dance From ZTT) Black Nordic Personhood. Tabanka is visible across multiple platforms with videos seen more than 16 million times on Youtube and a Facebook following of 72 Tabanka used Snapchat, Instagram and other digital platforms both to engage with audience and community and to release the potential of these platforms as artistic stages in their own right.

Tabanka designs unique experiences for any audience, high art, business event or community activity. African and Caribbean dance permeates all of society, and we firmly believe dance should not be limited in its application and value.

Tabanka consults for and collaborates with a range of organizations to motivate, train and support institutions in their creative thinking, health, and audience development work. As one of the leading institutions of African Diaspora Dance in Europe and the Nordics, Tabanka seeks to advance the sector through sharing knowledge, practices, and advocating for equity within the European and Nordic art sectors as well as society at large.

Tabanka uses the rich aesthetics of Africa and the Caribbean in order to create vibrant contemporary work. The performance technology of deep cultural rituals are given a continuation as it claims new spaces through reverse colonialization. Ancient Future is a central principle of narration in Tabankas art. Audience and dancers are weaved through call and response, as they imagine, forward, and back, together. The body mediated through perceptions about identity, belonging, ethnicity and colour, is a central theme in our thinking surrounding identity today.

The black body in motion is tainted by strong contrasts of associations: the primitive, urban, animalistic, sensual, forbidden, dangerous, liberal, conservative, political, humorous, free and enslaved. This we explore and use as a strong artistic means. The art is political because it can contribute to challenge the existing redistribution of what can be seen and heard, and by whom.

We open up for new sensory fellowships. By representing untold and undertold realities and fiction, in Norway and in the West, we challenge the current distribution of what is real or fictitious, and myths about who, what and how it is physically move in Norway and in the West.

Tabanka confronts established stories about the body — especially the black body — and consequently also about the world and our existence. Africanistic diaspora art has a tradition of Pacific 202 - Various - Zance (A Decade Of Dance From ZTT) on the context of bodies and identities, as part of the danced ritual.

Africanistic deep cultural traditions communicate and relay visible and invisible knowledge and Baba ORiley - Pete Townshend - Avatar through the body. This creates both sympathy and empathy on a muscular level. The dancers transfer, through movement, the most immaterial and intangible of these experiences.

Tabanka attracts a very heterogeneous audience, that extends beyond and crosses boundaries, be it geographical, cultural, ethnic, experiential, sociocultural, and political, not at least in terms of the question of identity. This is a new and unique audience composition in Norway. The result is a sensory fellowship in which the audience is enhanced as a norm-breaking and meaning-creating participants, who are woven into the fiction of the art piece.

Transforming the audience into bound and participatory witnesses to the identity that is about to manifest itself through the danced. Talawa Technique is a fully codified and examinable technique for Africanistic kinaesthetic movement. The Talawa Technique seamlessly merges ancestral movements, culturally contextualized vocabulary and contemporary movement sensibilities.

Thus offering a fused approach to stylized movement for stage and art production. Talawa Technique uniquely combines rhythmic structures, a specialized approach to grounding, and traditional African Aesthetic movement qualities, such as: trembling, shaking, undulating and pulsating. The Talawa Technique makes a clear distinction between aesthetical and technical choices. This allows the dancer to develop full ownership of their bodies natural bends and curves.

The approach connects them to history and culture Pacific 202 - Various - Zance (A Decade Of Dance From ZTT) an empowering way.

Dancers are guided to skilfully master multiple isolations and polyrhythmic articulations, alongside the work of breaking down mental and cultural barriers, in order to free movement. The technique uses knowledge and culture as a liberating tool to create confident performers, who embrace their own identities, as well as the multiple identities of africanistic movement. In Tabanka we aspire to draw heavily from the movement Eine Kleine Nachtmusik - Mozart* - Favourites From The Classics from danced rituals from Africa and the Caribbean.

From deep within the body, the polyrhythm, the hip rotations, and the extreme contrasts of the rituals, vibrations will stem and blend into black bodies in danced rituals made to fit the specific context and diaspora in Norway and the West. Not without Ninteen Eighty Four - Flamin Groovies* - Step Up reactions, ranging from harmony to dissonance.

The Tabanka dancers are talented pioneers who have dedicated their lives to the to the furtherment of the African Aesthetic arts, as well as the engageing of community. They believe that art has the power to improve the quality of life for all people. About Us. Short Introduction. Dancers Professionally trained. Audience Total audience to date. Countries Countries performed in. Youth-work Amount of youth reached per year.

Ticket Coverage Percent of tickets sold. Artistic Approach African Aesthetic Dance. Identity, colour and body The body mediated through perceptions about identity, belonging, ethnicity and colour, is a central theme in our thinking surrounding identity today. The company - Allegro - Tchaikovsky* - Yehudi Menuhin, Philharmonia Orchestra, Efrem Kurtz - Swan Lake / Sleepin. Dancer Ekperedinma Clarice Okeke.

Dancer Shirley Adffo Langhelle. Dancer,Archivist Rena Onyee. Dancer Lacky Mahamed. Dancer Victor Amel Olivares Pedersen. Trainee Grace Tenga. Company Member Sarjo Sankareh.


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Updated: 13.11.2019 — 12:26

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  2. It All Started Out on the Dance Floor and a Dance Battle Ch Dance Battle during Lunch Hour on the Dance Floor. you can listen to the song to get a feel of the heat on the dance floor while reading ;)) This is my first dance-story that I created in the very beginning since I started reading a lot stories here in Quotev. Anyone who.
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  4. elements such as music, lighting, props, puppets, physical theatre, dance or projections. The overriding feature of site specific performance is that it should fully exploit the possibilities of the selected site so that there is an integral relationship between the content of the .
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  6. Tabanka Dance Ensemble provides audiences with an exclusive experience of expertly produced high-quality, contemporary dance work, which makes full use of the rhythm, vitality, culture and audience engagement practices of Africa and the Diaspora.

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